Edward Morgan Forster
Edward Morgan Forster (1 January 1879 – 7 June 1970), was an English novelist, short story writer, essayist, and librettist. He is known best for his ironic and well-plotted novels examining class difference and hypocrisy and also the attitudes towards gender and homosexuality in early 20th-century British society. Forster's humanistic impulse toward understanding and sympathy may be aptly summed up in the epigraph to his 1910 novel Howards End: "Only connect".
Forster was born at 6 Melcombe Place, Dorset Square, London NW1, in a building which no longer exists. His father was an architect and died when Forster was only a year old. Among Forster's ancestors were members of the Clapham Sect. As a boy he inherited £8,000 from his paternal great-aunt Marianne Thornton, daughter of the abolitionist Henry Thornton, which was enough to live on and enabled him to become a writer. He attended Tonbridge School in Kent as a day boy. The theatre at the school is named after him.
At King's College, Cambridge, between 1897 and 1901, he became a member of the Apostles (formally named the Cambridge Conversazione Society), a discussion society. Many of its members went on to constitute what came to be known as the Bloomsbury Group, of which Forster was a peripheral member in the 1910s and 1920s. There is a famous recreation of Forster's Cambridge at the beginning of The Longest Journey.
After leaving university he travelled on the continent with his mother. He visited Egypt, Germany and India with the classicist Goldsworthy Lowes Dickinson in 1914. When the First World War broke out, he became a conscientious objector.
Forster spent a second spell in India in the early 1920s as the private secretary to the Maharajah of Dewas. The Hill of Devi is his non-fictional account of this trip. After returning from India, he completed his last novel, A Passage to India (1924), for which he won the James Tait Black Memorial Prize for fiction.
In the 1930s and 1940s Forster became a successful broadcaster on BBC Radio and a public figure associated with the British Humanist Association. He was awarded a Benson Medal in 1937.
From 1925 until her death in March 1945 the novelist lived with his mother Alice Clare (Lily) in West Hackhurst, Abinger Hammer, finally leaving on or around 23 September 1946. His London base was 26, Brunswick Square from 1930 to 1939, after which he rented 9, Arlington Park Mansions in Chiswick until at least 1961.
Forster was elected an honorary fellow of King's College, Cambridge in January 1946, and lived for the most part in the college, doing relatively little. He declined a knighthood in 1949 and was made a Companion of Honour in 1953. In 1969 he was made a member of the Order of Merit. Forster died in Coventry on 7 June 1970 at the age of 91, at the home of the Buckinghams.
Showing posts with label English Novel. Show all posts
Showing posts with label English Novel. Show all posts
A Passage To India Major Themes
A Passage To India
Major Themes
A Passage to India has four central themes: the difficulty of friendship between an Englishman and an Indian, the racism and oppression of the British who rule India, the "muddle" of Indian civilization and psychology, and the unity of all life. (See the concept of Brahman in Hinduism.)
The novel's second chapter opens with a discussion between Mahmoud Ali and Hamidullah about whether an Indian can be friends with an Englishman. They conclude that such a friendship is virtually impossible, especially in India. This foreshadows the future split between Fielding and Aziz, whose cultural and national differences keep them apart, even though they like each other. For no member of an occupied race can really be friends with a member of the master race. Despite all rationale, the former will unavoidably resent the latter, and the latter will despise the former. As Aziz says, until India is free from the British, an Indian and an Englishman cannot be true friends.
One of the most overt themes of the novel is the racist attitude of the British in India toward the native population, and the oppression of Indians that frequently results. The cruelty of Major Callendar, who boasts of torturing an injured Indian youth by putting pepper on his shattered face, is the most egregious example. But there are many others, from Mr. McBryde's supercilious views on Indians' lust for white women, to Mrs. Turton's vitriolic rantings, to Mr. Turton's arrogance, Ronny Heaslop's ignorance, and Miss Derek's scorn for her Indian employers. All the British (except Fielding) assume that Aziz is guilty before his trial, simply because he is an Indian. Yet even Fielding, who respects Indians more than any other white man, eventually comes to accept that British rule over India is the best thing for that country. As a result of British rudeness and arrogance, the Indians in the novel come to hate their foreign masters.
In Part Two of A Passage to India, E.M. Forster frequently refers to India as a "muddle." This is not necessarily because he is racist, but because his logical Western mind cannot accept the extreme diversity of Indian religion, society, wildlife, and even architecture. Westerners, Forster explains, are always trying to categorize and label things, but India defies labelling. But the Indians quietly accept this diversity, not as a muddle but as a "mystery," like the Catholic Trinity or Sacraments, things ordained by God that must be accepted but cannot be explained in terms of reason.
Additionally, Indians rely more on emotion and intuition in their judgements of people and events, whereas the British are always trying to make their opinions scientific and logical, like McBryde with his pseudo-scientific theory about dark men lusting after white women. These differences in outlook and psychology, Forster implies, are the ultimate differences between the British and the Indians. For British minds, shackled by reason and race, cannot understand the Indian psyche.
The Marabar Caves produce a pernicious echo, "Boum," to whatever noise one makes. To Mrs. Moore and Adela Quested, this echo symbolizes the Dharmic belief in the fundamental oneness of all things. But this "realization" unhinges their Western minds, shackled by logic. Mrs. Moore abandons all interest in spirituality and in human relationships, and Adela Quested becomes panicky and feverish. But was their realization true, and were their reactions excessive? For most of the novel, Forster with his Western outlook suggests that the Dharmic doctrine of oneness or "Om," (Boum is a parody) devalues us and everything we hold dear.
But in Part Three, he seems to enter the Indian psyche and reveal to his readers that all things are one, perhaps, but they are not the same. Indians revel in this unity while retaining their differences. For are we not all members of the same species, made of atoms, containing the same organs, harbouring the same basic needs and impulses? Yet our behaviour and thoughts are highly individualized. Thus, Forster suggests that we accept our unity and our differences with equanimity, as Professor Narayan Godbole does. For oneness is not sameness.
Major Themes
A Passage to India has four central themes: the difficulty of friendship between an Englishman and an Indian, the racism and oppression of the British who rule India, the "muddle" of Indian civilization and psychology, and the unity of all life. (See the concept of Brahman in Hinduism.)
The novel's second chapter opens with a discussion between Mahmoud Ali and Hamidullah about whether an Indian can be friends with an Englishman. They conclude that such a friendship is virtually impossible, especially in India. This foreshadows the future split between Fielding and Aziz, whose cultural and national differences keep them apart, even though they like each other. For no member of an occupied race can really be friends with a member of the master race. Despite all rationale, the former will unavoidably resent the latter, and the latter will despise the former. As Aziz says, until India is free from the British, an Indian and an Englishman cannot be true friends.
One of the most overt themes of the novel is the racist attitude of the British in India toward the native population, and the oppression of Indians that frequently results. The cruelty of Major Callendar, who boasts of torturing an injured Indian youth by putting pepper on his shattered face, is the most egregious example. But there are many others, from Mr. McBryde's supercilious views on Indians' lust for white women, to Mrs. Turton's vitriolic rantings, to Mr. Turton's arrogance, Ronny Heaslop's ignorance, and Miss Derek's scorn for her Indian employers. All the British (except Fielding) assume that Aziz is guilty before his trial, simply because he is an Indian. Yet even Fielding, who respects Indians more than any other white man, eventually comes to accept that British rule over India is the best thing for that country. As a result of British rudeness and arrogance, the Indians in the novel come to hate their foreign masters.
In Part Two of A Passage to India, E.M. Forster frequently refers to India as a "muddle." This is not necessarily because he is racist, but because his logical Western mind cannot accept the extreme diversity of Indian religion, society, wildlife, and even architecture. Westerners, Forster explains, are always trying to categorize and label things, but India defies labelling. But the Indians quietly accept this diversity, not as a muddle but as a "mystery," like the Catholic Trinity or Sacraments, things ordained by God that must be accepted but cannot be explained in terms of reason.
Additionally, Indians rely more on emotion and intuition in their judgements of people and events, whereas the British are always trying to make their opinions scientific and logical, like McBryde with his pseudo-scientific theory about dark men lusting after white women. These differences in outlook and psychology, Forster implies, are the ultimate differences between the British and the Indians. For British minds, shackled by reason and race, cannot understand the Indian psyche.
The Marabar Caves produce a pernicious echo, "Boum," to whatever noise one makes. To Mrs. Moore and Adela Quested, this echo symbolizes the Dharmic belief in the fundamental oneness of all things. But this "realization" unhinges their Western minds, shackled by logic. Mrs. Moore abandons all interest in spirituality and in human relationships, and Adela Quested becomes panicky and feverish. But was their realization true, and were their reactions excessive? For most of the novel, Forster with his Western outlook suggests that the Dharmic doctrine of oneness or "Om," (Boum is a parody) devalues us and everything we hold dear.
But in Part Three, he seems to enter the Indian psyche and reveal to his readers that all things are one, perhaps, but they are not the same. Indians revel in this unity while retaining their differences. For are we not all members of the same species, made of atoms, containing the same organs, harbouring the same basic needs and impulses? Yet our behaviour and thoughts are highly individualized. Thus, Forster suggests that we accept our unity and our differences with equanimity, as Professor Narayan Godbole does. For oneness is not sameness.
Lord of the Flies
Lord of the Flies
Lord of the Flies is an allegorical novel by Nobel Prize-winning author William Golding. It discusses how culture created by man fails, using as an example a group of British school-boys stuck on a deserted island who try to govern themselves with disastrous results. Its stances on the already controversial subjects of human nature and individual welfare versus the common good earned it position 70 on the American Library Association's list of the 100 most frequently challenged books of 1990–2000. In 2005, the novel was chosen by TIME magazine as one of the 100 best English-language novels from 1923 to the present.
Published in 1954, Lord of the Flies was Golding's first novel, and although it was not a great success at the time — selling fewer than three thousand copies in the United States during 1955 before going out of print — it soon went on to become a bestseller, and by the early 1960s was required reading in many schools and colleges. It was adapted to film in 1963 by Peter Brook, and again in 1990 by Harry Hook (see "Film adaptations").
The title is said to be a reference to the Hebrew name Beelzebub ("god of the fly", "host of the fly" or literally "Lord of Flies"), a name sometimes used as a synonym for Satan.
Lord of the Flies is an allegorical novel by Nobel Prize-winning author William Golding. It discusses how culture created by man fails, using as an example a group of British school-boys stuck on a deserted island who try to govern themselves with disastrous results. Its stances on the already controversial subjects of human nature and individual welfare versus the common good earned it position 70 on the American Library Association's list of the 100 most frequently challenged books of 1990–2000. In 2005, the novel was chosen by TIME magazine as one of the 100 best English-language novels from 1923 to the present.
Published in 1954, Lord of the Flies was Golding's first novel, and although it was not a great success at the time — selling fewer than three thousand copies in the United States during 1955 before going out of print — it soon went on to become a bestseller, and by the early 1960s was required reading in many schools and colleges. It was adapted to film in 1963 by Peter Brook, and again in 1990 by Harry Hook (see "Film adaptations").
The title is said to be a reference to the Hebrew name Beelzebub ("god of the fly", "host of the fly" or literally "Lord of Flies"), a name sometimes used as a synonym for Satan.
Henry Fielding
Henry Fielding
Henry Fielding (22 April 1707 – 8 October 1754) was an English novelist and dramatist known for his rich earthy humour and satirical prowess, and as the author of the novel Tom Jones.
Aside from his literary achievements, he has a significant place in the history of law-enforcement, having founded (with his half-brother John) what some have called London's first police force, the Bow Street Runners, using his authority as a magistrate.
Born into an aristocratic family at Sharpham near Glastonbury in Somerset in 1707, Fielding was educated at Eton College, where he established a lifelong friendship with William Pitt the Elder. His younger sister, Sarah, also became a successful writer. After a romantic episode with a young woman that ended in his getting into trouble with the law, he went to London where his literary career began. In 1728, he traveled to Leiden to study classics and law at the University. However, due to lack of money he was obliged to return to London and he began writing for the theatre, some of his work being savagely critical of the contemporary government under Sir Robert Walpole.
Fielding never stopped writing political satire and satires of current arts and letters. His Tragedy of Tragedies of Tom Thumb (for which Hogarth designed the frontispiece) was, for example, quite successful as a printed play. He also contributed a number of works to journals of the day. He wrote for Tory periodicals, usually under the name of "Captain Hercules Vinegar".
In 1743, he published a novel in the Miscellanies volume III (which was the first volume of the Miscellanies). This was The History of the Life of the Late Mr Jonathan Wild the Great.
However, Fielding's ardent commitment to the cause of justice as a great humanitarian in the 1750s, coincided with a rapid deterioration in his health to such an extent that he went abroad to Portugal in 1754 in search of a cure. Gout, asthma and other afflictions meant that he had to use crutches.
He died in Lisbon two months later and his tomb at the English Church may be visited. Despite being now blind, John Fielding succeeded his older brother as Chief Magistrate and became known as the 'Blind Beak' of Bow Street for his ability to recognise criminals by their voice alone.
Tom Jones, a Foundling
Tom Jones, a Foundling
The History of Tom Jones, a Foundling, often known simply as Tom Jones, is a comic novel by the English playwright and novelist Henry Fielding. First published on February 28 1749, Tom Jones is among the earliest English prose works describable as a novel. The novel is divided into 18 smaller books.
Tom Jones is a foundling discovered on the property of a very kind, wealthy landowner, Squire Allworthy, in Somerset in England's West Country. Tom grows into a vigorous and lusty, yet honest and kind-hearted, youth. He develops affection for his neighbour's daughter, Sophia Western.
On one hand, their love reflects the romantic comedy genre that was popular in 18th-century Britain. However, Tom's status as a bastard causes Sophia's father and Allworthy to oppose their love; this criticism of class friction in society acted as a biting social commentary. The inclusion of prostitution and sexual promiscuity in the plot was also original for its time, and also acted as the foundation for criticism of the book's "lowness."
The History of Tom Jones, a Foundling, often known simply as Tom Jones, is a comic novel by the English playwright and novelist Henry Fielding. First published on February 28 1749, Tom Jones is among the earliest English prose works describable as a novel. The novel is divided into 18 smaller books.
Tom Jones is a foundling discovered on the property of a very kind, wealthy landowner, Squire Allworthy, in Somerset in England's West Country. Tom grows into a vigorous and lusty, yet honest and kind-hearted, youth. He develops affection for his neighbour's daughter, Sophia Western.
On one hand, their love reflects the romantic comedy genre that was popular in 18th-century Britain. However, Tom's status as a bastard causes Sophia's father and Allworthy to oppose their love; this criticism of class friction in society acted as a biting social commentary. The inclusion of prostitution and sexual promiscuity in the plot was also original for its time, and also acted as the foundation for criticism of the book's "lowness."
Edward Morgan Forster
Edward Morgan Forster
Edward Morgan Forster (1 January 1879 – 7 June 1970), was an English novelist, short story writer, essayist, and librettist. He is known best for his ironic and well-plotted novels examining class difference and hypocrisy and also the attitudes towards gender and homosexuality in early 20th-century British society. Forster's humanistic impulse toward understanding and sympathy may be aptly summed up in the epigraph to his 1910 novel Howards End: "Only connect".
Forster was born at 6 Melcombe Place, Dorset Square, London NW1, in a building which no longer exists. His father was an architect and died when Forster was only a year old. Among Forster's ancestors were members of the Clapham Sect. As a boy he inherited £8,000 from his paternal great-aunt Marianne Thornton, daughter of the abolitionist Henry Thornton, which was enough to live on and enabled him to become a writer. He attended Tonbridge School in Kent as a day boy. The theatre at the school is named after him.
At King's College, Cambridge, between 1897 and 1901, he became a member of the Apostles (formally named the Cambridge Conversazione Society), a discussion society. Many of its members went on to constitute what came to be known as the Bloomsbury Group, of which Forster was a peripheral member in the 1910s and 1920s. There is a famous recreation of Forster's Cambridge at the beginning of The Longest Journey.
After leaving university he travelled on the continent with his mother. He visited Egypt, Germany and India with the classicist Goldsworthy Lowes Dickinson in 1914. When the First World War broke out, he became a conscientious objector.
Forster spent a second spell in India in the early 1920s as the private secretary to the Maharajah of Dewas. The Hill of Devi is his non-fictional account of this trip. After returning from India, he completed his last novel, A Passage to India (1924), for which he won the James Tait Black Memorial Prize for fiction.
In the 1930s and 1940s Forster became a successful broadcaster on BBC Radio and a public figure associated with the British Humanist Association. He was awarded a Benson Medal in 1937.
From 1925 until her death in March 1945 the novelist lived with his mother Alice Clare (Lily) in West Hackhurst, Abinger Hammer, finally leaving on or around 23 September 1946. His London base was 26, Brunswick Square from 1930 to 1939, after which he rented 9, Arlington Park Mansions in Chiswick until at least 1961.
Forster was elected an honorary fellow of King's College, Cambridge in January 1946, and lived for the most part in the college, doing relatively little. He declined a knighthood in 1949 and was made a Companion of Honour in 1953. In 1969 he was made a member of the Order of Merit. Forster died in Coventry on 7 June 1970 at the age of 91, at the home of the Buckinghams.
Great Expectations
Great Expectations
Great Expectations is a novel by Charles Dickens first serialised in All the Year Round from 1 December 1860 to August 1861. It is regarded as one of his greatest and most sophisticated novels, and is one of his most enduringly popular, having been adapted for stage and screen over 250 times.
Great Expectations is written in a semi-autobiographical style and is the story of the orphan Pip, writing his life from his early days of childhood until adulthood. The story can also be considered semi-autobiographical of Dickens, like much of his work, drawing on his experiences of life and people.
The action of the story takes place from Christmas Eve, 1812, when the protagonist is about seven years old, to the winter of 1840.
Each installment in All the Year Round contained two chapters and was written in a way that kept readers interested from week to week, while still satisfying their curiosity at the end of each one.
Great Expectations is a novel by Charles Dickens first serialised in All the Year Round from 1 December 1860 to August 1861. It is regarded as one of his greatest and most sophisticated novels, and is one of his most enduringly popular, having been adapted for stage and screen over 250 times.
Great Expectations is written in a semi-autobiographical style and is the story of the orphan Pip, writing his life from his early days of childhood until adulthood. The story can also be considered semi-autobiographical of Dickens, like much of his work, drawing on his experiences of life and people.
The action of the story takes place from Christmas Eve, 1812, when the protagonist is about seven years old, to the winter of 1840.
Each installment in All the Year Round contained two chapters and was written in a way that kept readers interested from week to week, while still satisfying their curiosity at the end of each one.
A Passage To India Plot Summary
Plot Summary
A young British schoolmistress, Adela Quested, and her elderly friend, Mrs. Moore, visit the fictional city of Chandrapore, British India. On their arrival, Adela is to marry Mrs. Moore's son, Ronny Heaslop, the city magistrate.
Meanwhile, Dr. Aziz, a young Muslim Indian physician, is dining with two of his Indian friends and conversing about whether it is possible to be friends with an Englishman. During the meal, a summons arrives from Major Callendar, Aziz's unpleasant superior at the hospital. Aziz hastens to Callendar's bungalow as ordered, but is delayed by a flat tyre and difficulty in finding a tonga and the major has already left in a huff.
Disconsolate, Aziz walks down the road toward the train station. When he sees his favorite mosque, a rather ramshackle but beautiful structure, he enters on impulse. When he sees a strange Englishwoman there, he angrily yells at her not to profane this sacred place. The woman, however, turns out to be Mrs. Moore. Her respect for native customs (she took off her shoes on entering) disarms Aziz, and the two chat and part friends.
Mrs. Moore returns to the British club down the road and relates her experience at the mosque. Ronny Heaslop, her son, initially thinks she is talking about an Englishman, and becomes indignant when he learns the truth. He thinks she should have indicated by her tone that it was a "Mohammedan" who was in question. Adela, however, is intrigued.Because the newcomers had expressed a desire to see Indians, Mr. Turton, the city tax collector, invites numerous Indian gentlemen to a party at his house.
At Fielding's tea party, everyone has a good time conversing about India, and Fielding and Aziz even become great friends. Aziz buoyantly promises to take Mrs. Moore and Adela to see the Marabar Caves, a distant cave complex that everyone talks about but no one seems to actually visit. Aziz's Marabar invitation was one of those casual promises that people often make and never intend to keep. Ronny Heaslop arrives and rudely breaks up the party.
Aziz mistakenly believes that the women are really offended that he has not followed through with his promise and arranges the outing at great expense to himself. Fielding and Godbole were supposed to accompany the little expedition, but they miss the train.
Aziz and the women begin to explore the caves. In the first cave, however, Mrs. Moore is overcome with claustrophobia, for the cave is dark and Aziz's retinue has followed her in. The press of people nearly smothers her. But worse than the claustrophobia is the echo. No matter what sound one makes, the echo is always "Boum." Disturbed by the echo, Mrs. Moore declines to continue exploring. So Adela and Aziz, accompanied by a single guide, a local man, climb on up the hill to the next cluster of caves.
As Aziz helps Adela up the hill, she innocently asks him whether he has more than one wife. Disconcerted by the bluntness of the remark, he ducks into a cave to compose himself. When he comes out, he finds the guide sitting alone outside the caves. The guide says Adela has gone into one of the caves by herself. Aziz looks for her in vain. Deciding she is lost, he angrily punches the guide, who runs away. Aziz looks around again and discovers Adela's field-glasses (binoculars) lying broken on the ground. He puts them in his pocket.
Then Aziz looks down the hill and sees Adela speaking to another young Englishwoman, Miss Derek, who has arrived with Fielding in a car. Aziz runs down the hill and greets Fielding effusively, but Miss Derek and Adela have already driven off without a word of explanation. Fielding, Mrs. Moore, and Aziz return to Chandrapore on the train.Then the blow falls. At the train station, Dr. Aziz is arrested and charged with sexually assaulting Adela in a cave. She reports the alleged incident to the British authorities.
Two years later, Fielding returns to India and to Aziz. His wife is Stella, Mrs. Moore's daughter from a second marriage. Aziz, now the Rajas's chief physician, at first persists in his anger against his old friend. But in time, he comes to respect and love Fielding again. However, he does not give up his dream of a free and united India. In the novel's last sentences, he explains that he and Fielding cannot be friends, at least not until India is free of the British Raj. Even the earth and the sky seem to say, "Not yet."
A young British schoolmistress, Adela Quested, and her elderly friend, Mrs. Moore, visit the fictional city of Chandrapore, British India. On their arrival, Adela is to marry Mrs. Moore's son, Ronny Heaslop, the city magistrate.
Meanwhile, Dr. Aziz, a young Muslim Indian physician, is dining with two of his Indian friends and conversing about whether it is possible to be friends with an Englishman. During the meal, a summons arrives from Major Callendar, Aziz's unpleasant superior at the hospital. Aziz hastens to Callendar's bungalow as ordered, but is delayed by a flat tyre and difficulty in finding a tonga and the major has already left in a huff.
Disconsolate, Aziz walks down the road toward the train station. When he sees his favorite mosque, a rather ramshackle but beautiful structure, he enters on impulse. When he sees a strange Englishwoman there, he angrily yells at her not to profane this sacred place. The woman, however, turns out to be Mrs. Moore. Her respect for native customs (she took off her shoes on entering) disarms Aziz, and the two chat and part friends.
Mrs. Moore returns to the British club down the road and relates her experience at the mosque. Ronny Heaslop, her son, initially thinks she is talking about an Englishman, and becomes indignant when he learns the truth. He thinks she should have indicated by her tone that it was a "Mohammedan" who was in question. Adela, however, is intrigued.Because the newcomers had expressed a desire to see Indians, Mr. Turton, the city tax collector, invites numerous Indian gentlemen to a party at his house.
At Fielding's tea party, everyone has a good time conversing about India, and Fielding and Aziz even become great friends. Aziz buoyantly promises to take Mrs. Moore and Adela to see the Marabar Caves, a distant cave complex that everyone talks about but no one seems to actually visit. Aziz's Marabar invitation was one of those casual promises that people often make and never intend to keep. Ronny Heaslop arrives and rudely breaks up the party.
Aziz mistakenly believes that the women are really offended that he has not followed through with his promise and arranges the outing at great expense to himself. Fielding and Godbole were supposed to accompany the little expedition, but they miss the train.
Aziz and the women begin to explore the caves. In the first cave, however, Mrs. Moore is overcome with claustrophobia, for the cave is dark and Aziz's retinue has followed her in. The press of people nearly smothers her. But worse than the claustrophobia is the echo. No matter what sound one makes, the echo is always "Boum." Disturbed by the echo, Mrs. Moore declines to continue exploring. So Adela and Aziz, accompanied by a single guide, a local man, climb on up the hill to the next cluster of caves.
As Aziz helps Adela up the hill, she innocently asks him whether he has more than one wife. Disconcerted by the bluntness of the remark, he ducks into a cave to compose himself. When he comes out, he finds the guide sitting alone outside the caves. The guide says Adela has gone into one of the caves by herself. Aziz looks for her in vain. Deciding she is lost, he angrily punches the guide, who runs away. Aziz looks around again and discovers Adela's field-glasses (binoculars) lying broken on the ground. He puts them in his pocket.
Then Aziz looks down the hill and sees Adela speaking to another young Englishwoman, Miss Derek, who has arrived with Fielding in a car. Aziz runs down the hill and greets Fielding effusively, but Miss Derek and Adela have already driven off without a word of explanation. Fielding, Mrs. Moore, and Aziz return to Chandrapore on the train.Then the blow falls. At the train station, Dr. Aziz is arrested and charged with sexually assaulting Adela in a cave. She reports the alleged incident to the British authorities.
Two years later, Fielding returns to India and to Aziz. His wife is Stella, Mrs. Moore's daughter from a second marriage. Aziz, now the Rajas's chief physician, at first persists in his anger against his old friend. But in time, he comes to respect and love Fielding again. However, he does not give up his dream of a free and united India. In the novel's last sentences, he explains that he and Fielding cannot be friends, at least not until India is free of the British Raj. Even the earth and the sky seem to say, "Not yet."
A Passage To India
Major Themes
A Passage to India has four central themes: the difficulty of friendship between an Englishman and an Indian, the racism and oppression of the British who rule India, the "muddle" of Indian civilization and psychology, and the unity of all life. (See the concept of Brahman in Hinduism.)
The novel's second chapter opens with a discussion between Mahmoud Ali and Hamidullah about whether an Indian can be friends with an Englishman. They conclude that such a friendship is virtually impossible, especially in India. This foreshadows the future split between Fielding and Aziz, whose cultural and national differences keep them apart, even though they like each other. For no member of an occupied race can really be friends with a member of the master race. Despite all rationale, the former will unavoidably resent the latter, and the latter will despise the former. As Aziz says, until India is free from the British, an Indian and an Englishman cannot be true friends.
One of the most overt themes of the novel is the racist attitude of the British in India toward the native population, and the oppression of Indians that frequently results. The cruelty of Major Callendar, who boasts of torturing an injured Indian youth by putting pepper on his shattered face, is the most egregious example. But there are many others, from Mr. McBryde's supercilious views on Indians' lust for white women, to Mrs. Turton's vitriolic rantings, to Mr. Turton's arrogance, Ronny Heaslop's ignorance, and Miss Derek's scorn for her Indian employers. All the British (except Fielding) assume that Aziz is guilty before his trial, simply because he is an Indian. Yet even Fielding, who respects Indians more than any other white man, eventually comes to accept that British rule over India is the best thing for that country. As a result of British rudeness and arrogance, the Indians in the novel come to hate their foreign masters.
In Part Two of A Passage to India, E.M. Forster frequently refers to India as a "muddle." This is not necessarily because he is racist, but because his logical Western mind cannot accept the extreme diversity of Indian religion, society, wildlife, and even architecture. Westerners, Forster explains, are always trying to categorize and label things, but India defies labelling. But the Indians quietly accept this diversity, not as a muddle but as a "mystery," like the Catholic Trinity or Sacraments, things ordained by God that must be accepted but cannot be explained in terms of reason.
Additionally, Indians rely more on emotion and intuition in their judgements of people and events, whereas the British are always trying to make their opinions scientific and logical, like McBryde with his pseudo-scientific theory about dark men lusting after white women. These differences in outlook and psychology, Forster implies, are the ultimate differences between the British and the Indians. For British minds, shackled by reason and race, cannot understand the Indian psyche.
The Marabar Caves produce a pernicious echo, "Boum," to whatever noise one makes. To Mrs. Moore and Adela Quested, this echo symbolizes the Dharmic belief in the fundamental oneness of all things. But this "realization" unhinges their Western minds, shackled by logic. Mrs. Moore abandons all interest in spirituality and in human relationships, and Adela Quested becomes panicky and feverish. But was their realization true, and were their reactions excessive? For most of the novel, Forster with his Western outlook suggests that the Dharmic doctrine of oneness or "Om," (Boum is a parody) devalues us and everything we hold dear.
But in Part Three, he seems to enter the Indian psyche and reveal to his readers that all things are one, perhaps, but they are not the same. Indians revel in this unity while retaining their differences. For are we not all members of the same species, made of atoms, containing the same organs, harbouring the same basic needs and impulses? Yet our behaviour and thoughts are highly individualized. Thus, Forster suggests that we accept our unity and our differences with equanimity, as Professor Narayan Godbole does. For oneness is not sameness.
A Passage to India has four central themes: the difficulty of friendship between an Englishman and an Indian, the racism and oppression of the British who rule India, the "muddle" of Indian civilization and psychology, and the unity of all life. (See the concept of Brahman in Hinduism.)
The novel's second chapter opens with a discussion between Mahmoud Ali and Hamidullah about whether an Indian can be friends with an Englishman. They conclude that such a friendship is virtually impossible, especially in India. This foreshadows the future split between Fielding and Aziz, whose cultural and national differences keep them apart, even though they like each other. For no member of an occupied race can really be friends with a member of the master race. Despite all rationale, the former will unavoidably resent the latter, and the latter will despise the former. As Aziz says, until India is free from the British, an Indian and an Englishman cannot be true friends.
One of the most overt themes of the novel is the racist attitude of the British in India toward the native population, and the oppression of Indians that frequently results. The cruelty of Major Callendar, who boasts of torturing an injured Indian youth by putting pepper on his shattered face, is the most egregious example. But there are many others, from Mr. McBryde's supercilious views on Indians' lust for white women, to Mrs. Turton's vitriolic rantings, to Mr. Turton's arrogance, Ronny Heaslop's ignorance, and Miss Derek's scorn for her Indian employers. All the British (except Fielding) assume that Aziz is guilty before his trial, simply because he is an Indian. Yet even Fielding, who respects Indians more than any other white man, eventually comes to accept that British rule over India is the best thing for that country. As a result of British rudeness and arrogance, the Indians in the novel come to hate their foreign masters.
In Part Two of A Passage to India, E.M. Forster frequently refers to India as a "muddle." This is not necessarily because he is racist, but because his logical Western mind cannot accept the extreme diversity of Indian religion, society, wildlife, and even architecture. Westerners, Forster explains, are always trying to categorize and label things, but India defies labelling. But the Indians quietly accept this diversity, not as a muddle but as a "mystery," like the Catholic Trinity or Sacraments, things ordained by God that must be accepted but cannot be explained in terms of reason.
Additionally, Indians rely more on emotion and intuition in their judgements of people and events, whereas the British are always trying to make their opinions scientific and logical, like McBryde with his pseudo-scientific theory about dark men lusting after white women. These differences in outlook and psychology, Forster implies, are the ultimate differences between the British and the Indians. For British minds, shackled by reason and race, cannot understand the Indian psyche.
The Marabar Caves produce a pernicious echo, "Boum," to whatever noise one makes. To Mrs. Moore and Adela Quested, this echo symbolizes the Dharmic belief in the fundamental oneness of all things. But this "realization" unhinges their Western minds, shackled by logic. Mrs. Moore abandons all interest in spirituality and in human relationships, and Adela Quested becomes panicky and feverish. But was their realization true, and were their reactions excessive? For most of the novel, Forster with his Western outlook suggests that the Dharmic doctrine of oneness or "Om," (Boum is a parody) devalues us and everything we hold dear.
But in Part Three, he seems to enter the Indian psyche and reveal to his readers that all things are one, perhaps, but they are not the same. Indians revel in this unity while retaining their differences. For are we not all members of the same species, made of atoms, containing the same organs, harbouring the same basic needs and impulses? Yet our behaviour and thoughts are highly individualized. Thus, Forster suggests that we accept our unity and our differences with equanimity, as Professor Narayan Godbole does. For oneness is not sameness.
Pride and Prejudice Background
Pride and Prejudice
Background
The novel was originally titled First Impressions by Jane Austen, and was written between October 1796 and August 1797. Austen's father wrote to London bookseller Thomas Cadell on November 1, 1797, offering it for publication, but it was rejected unseen by return of post. The unpublished manuscript remained with Austen, and it was not until 1811 that the first of her novels would be published, Sense and Sensibility.
Austen revised the manuscript for First Impressions, probably between 1811-12. She renamed the story Pride and Prejudice, an "apparent cliché" of the times. In renaming the novel, Austen probably had in mind the "sufferings and oppositions" summarized in the final chapter of Fanny Burney's Cecilia, called "Pride and Prejudice", where the phrase appears three times in block capitals. It is possible that the novel's original title was altered to avoid confusion with other works. In the years between the completion of First Impressions and its revision into Pride and Prejudice, two other works had been published under that name: a novel by Margaret Holford and a comedy by Horace Smith.
Austen sold the copyright for the novel to Thomas Egerton of Whitehall in exchange for £110 (Austen had asked for £150). This proved a costly decision. Austen had published Sense and Sensibility on a commission basis, whereby she indemnified the publisher against any losses and received any profits, less costs and the publisher's commission. Unaware that Sense and Sensibility would sell out its edition, making her £140, she passed the copyright to Egerton for a one-off payment, meaning that all the risk (and all the profits) would be his. Jan Fergus has calculated that Egerton subsequently made around £450 from just the first two editions of the book
Background
The novel was originally titled First Impressions by Jane Austen, and was written between October 1796 and August 1797. Austen's father wrote to London bookseller Thomas Cadell on November 1, 1797, offering it for publication, but it was rejected unseen by return of post. The unpublished manuscript remained with Austen, and it was not until 1811 that the first of her novels would be published, Sense and Sensibility.
Austen revised the manuscript for First Impressions, probably between 1811-12. She renamed the story Pride and Prejudice, an "apparent cliché" of the times. In renaming the novel, Austen probably had in mind the "sufferings and oppositions" summarized in the final chapter of Fanny Burney's Cecilia, called "Pride and Prejudice", where the phrase appears three times in block capitals. It is possible that the novel's original title was altered to avoid confusion with other works. In the years between the completion of First Impressions and its revision into Pride and Prejudice, two other works had been published under that name: a novel by Margaret Holford and a comedy by Horace Smith.
Austen sold the copyright for the novel to Thomas Egerton of Whitehall in exchange for £110 (Austen had asked for £150). This proved a costly decision. Austen had published Sense and Sensibility on a commission basis, whereby she indemnified the publisher against any losses and received any profits, less costs and the publisher's commission. Unaware that Sense and Sensibility would sell out its edition, making her £140, she passed the copyright to Egerton for a one-off payment, meaning that all the risk (and all the profits) would be his. Jan Fergus has calculated that Egerton subsequently made around £450 from just the first two editions of the book
Jane Austen Early life and education
Austen was born on 16 December 1775 at Steventon rectory and publicly christened on 5 April 1776. After a few months at home, her mother placed Austen with Elizabeth Littlewood, a woman living nearby who nursed and raised Austen for a year or eighteen months. In 1783, according to family tradition, Jane and Cassandra were sent to Oxford to be educated by Mrs Ann Cawley and they moved with her to Southampton later in the year. Both girls caught typhus and Jane nearly died. Austen was subsequently educated at home, until leaving for boarding school with her sister Cassandra early in 1785. The school curriculum probably included some French, spelling, needlework, dancing and music and, perhaps, drama. By December 1786, Jane and Cassandra had returned home because the Austens could not afford to send both of their daughters to school. Austen acquired the remainder of her education by reading books, guided by her father and her brothers James and Henry. George Austen apparently gave his daughters unfettered access to his large and varied library, was tolerant of Austen's sometimes risqué experiments in writing, and provided both sisters with expensive paper and other materials for their writing and drawing. According to Park Honan, a biographer of Austen, life in the Austen home was lived in "an open, amused, easy intellectual atmosphere" where the ideas of those with whom the Austens might disagree politically or socially were considered and discussed. After returning from school in 1786, Austen "never again lived anywhere beyond the bounds of her immediate family environment".
Private theatricals were also a part of Austen's education. From when she was seven until she was thirteen, the family and close friends staged a series of plays, including Richard Sheridan's The Rivals (1775) and David Garrick's Bon Ton. While the details are unknown, Austen would certainly have joined in these activities, as a spectator at first and as a participant when she was older. Most of the plays were comedies, which suggests one way in which Austen's comedic and satirical gifts were cultivated.
Related topics:
Jane Austen's Early life
Jane Austen Last Days
Pride&Prejudice B.Ground
Pride&Prejudice Plot summary
Pride&Prejudice Main character
Private theatricals were also a part of Austen's education. From when she was seven until she was thirteen, the family and close friends staged a series of plays, including Richard Sheridan's The Rivals (1775) and David Garrick's Bon Ton. While the details are unknown, Austen would certainly have joined in these activities, as a spectator at first and as a participant when she was older. Most of the plays were comedies, which suggests one way in which Austen's comedic and satirical gifts were cultivated.
Related topics:
Jane Austen's Early life
Jane Austen Last Days
Pride&Prejudice B.Ground
Pride&Prejudice Plot summary
Pride&Prejudice Main character
Jane Austen Illness and death
Jane Austen
Illness and death
Early in 1816, Jane Austen began to feel unwell. She ignored her illness at first and continued to work and to participate in the usual round of family activities. By the middle of that year, her decline was unmistakable to Austen and to her family, and Austen's physical condition began a long, slow, and irregular deterioration culminating in her death the following year. The majority of Austen biographers rely on Dr. Vincent Cope's tentative 1964 retrospective diagnosis and list her cause of death as Addison's disease. However, her final illness has also been described as Hodgkin's lymphoma.
Austen continued to work in spite of her illness. She became dissatisfied with the ending of The Elliots and rewrote the final two chapters, finishing them on 6 August 1816. In January 1817, Austen began work on a new novel she called The Brothers, later titled Sanditon upon its first publication in 1925, and completed twelve chapters before stopping work in mid-March 1817, probably because her illness prevented her from continuing. Austen made light of her condition to others, describing it as "Bile" and rheumatism, but as her disease progressed she experienced increasing difficulty walking or finding the energy for other activities. By mid-April, Austen was confined to her bed. In May, their brother Henry escorted Jane and Cassandra to Winchester for medical treatment. Austen died in Winchester on 18 July 1817, at the age of 41. Through his clerical connections, Henry arranged for his sister to be buried in the north aisle of the nave of Winchester Cathedral. The epitaph composed by her brother James praises Austen's personal qualities, expresses hope for her salvation, mentions the "extraordinary endowments of her mind", but does not explicitly mention her achievements as a writer.
Illness and death
Early in 1816, Jane Austen began to feel unwell. She ignored her illness at first and continued to work and to participate in the usual round of family activities. By the middle of that year, her decline was unmistakable to Austen and to her family, and Austen's physical condition began a long, slow, and irregular deterioration culminating in her death the following year. The majority of Austen biographers rely on Dr. Vincent Cope's tentative 1964 retrospective diagnosis and list her cause of death as Addison's disease. However, her final illness has also been described as Hodgkin's lymphoma.
Austen continued to work in spite of her illness. She became dissatisfied with the ending of The Elliots and rewrote the final two chapters, finishing them on 6 August 1816. In January 1817, Austen began work on a new novel she called The Brothers, later titled Sanditon upon its first publication in 1925, and completed twelve chapters before stopping work in mid-March 1817, probably because her illness prevented her from continuing. Austen made light of her condition to others, describing it as "Bile" and rheumatism, but as her disease progressed she experienced increasing difficulty walking or finding the energy for other activities. By mid-April, Austen was confined to her bed. In May, their brother Henry escorted Jane and Cassandra to Winchester for medical treatment. Austen died in Winchester on 18 July 1817, at the age of 41. Through his clerical connections, Henry arranged for his sister to be buried in the north aisle of the nave of Winchester Cathedral. The epitaph composed by her brother James praises Austen's personal qualities, expresses hope for her salvation, mentions the "extraordinary endowments of her mind", but does not explicitly mention her achievements as a writer.
Pride and Prejudice Main characters
Main characters
Elizabeth Bennet - main female protagonist. The reader sees the unfolding plot and the other characters mostly from her viewpoint. The second of the Bennet daughters at twenty years old, she is portrayed as intelligent, lively, (somewhat) attractive and witty, with her faults being a tendency to judge on first impressions and perhaps being a little selective of the evidence she uses to base her judgments upon. As the plot begins, her closest relationships are with her father, her sister Jane, her aunt Mrs. Gardiner and her neighbour Charlotte Lucas. Because of his ingratiating manner, Elizabeth believes the words of Mr. Wickham over the terse but honorable Mr. Darcy.
Mr. Fitzwilliam Darcy - main male protagonist. More than twenty-six years old, unmarried, the wealthy owner of a beautiful, fictional estate in Pemberley. Portrayed as handsome (far more so than Elizabeth) and intelligent, but not convivial. His concern with moral rectitude and decorum is easily confused with an excessive concern with social status. He makes a poor impression on strangers, such as the people of Meryton, but is valued by those who know him well. Initial close relationships are with his friend Charles Bingley, who has rented an estate in Hertfordshire, near Meryton.
Mr. Bennet - Has a wife and five daughters. Portrayed as a bookish and intelligent man somewhat withdrawn from society who dislikes the frivolity of his wife and three younger daughters, but offers nothing but mockery by way of correction. He is closest to his older daughters, but especially Elizabeth.
Mrs. Bennet - Wife of Mr. Bennet and mother of Elizabeth and her sisters. Her main objective in life is to find (wealthy) husbands for her five daughters, but she lacks the subtlety to execute her goals. She is portrayed as frivolous, excitable and narrow-minded. She is susceptible to attacks of tremors and palpitations, and her public manners are embarrassing to her eldest daughters. Her favourite daughter is the youngest, Lydia.
Jane Bennet - The eldest Bennet sister. Twenty-two years old when the novel begins, she is considered the most beautiful young lady in the neighbourhood. Her character is contrasted with Elizabeth's as sweeter, shyer and equally sensible but not as clever; her most notable trait is a desire to see only good in others. Jane is closest to Elizabeth.
Mary Bennet - The middle Bennet sister, aged around eighteen. The only plain one of the five, she strives to be the most accomplished. She spends most of her time reading and studying, but without understanding. Of the sisters, she thought most highly of Mr. Collins.
Catherine (Kitty) Bennet - The fourth Bennet sister, aged seventeen. Portrayed as a less headstrong but equally frivolous shadow of Lydia.
Lydia Bennet - The youngest Bennet sister, aged fifteen. She is repeatedly described as frivolous and headstrong. Her main activity in life is socializing, especially flirting with the military officers stationed in the nearby town of Meryton. She dominates her older sister Kitty and is supported in the family by her mother.
Charles Bingley - Has just rented the Netherfield estate near Longbourn when the novel opens. Twenty-two years old at the start of the novel, handsome, good-natured and wealthy, he is contrasted with his friend Mr. Darcy as being less intelligent but kinder and more charming (and hence more popular in Meryton). He lacks resolve and is easily influenced by others.
Caroline Bingley - Unmarried sister of Charles Bingley, who accompanies him to Netherfield to keep house for him. Accustomed to fashionable society in London and looks down on Meryton people. She is jealous of Darcy's regard for Elizabeth. Closely associated with Darcy, her sister, Mrs. Hurst, and her brother, Charles.
George Wickham - A militia regiment lieutenant touring Meryton early in the novel. He was also the son of Darcy's father's steward. Charming and handsome, he makes a good impression in Meryton society, and his reports that Darcy has cheated him out of a rightful inheritance serve to damage Darcy's reputation there. He is later revealed to be financially irresponsible and morally bankrupt with a tendency to believe the stories he spins.
William Collins - A cousin of Mr. Bennet, and the entailed heir of Longbourn. At twenty-five years old, has recently obtained a clerical living on the estate of Lady Catherine De Bourgh in Kent. Travels to Hertfordshire intending to look for a wife among his cousin's daughters. They find him pompous, dull and sycophantic.
Charlotte Lucas - The clever and astute daughter of the Bennets' neighbours, Sir William and Lady Lucas. Still unmarried at the age of twenty-seven, she engineers her marriage to Mr. Collins. She is Elizabeth's best friend until Elizabeth loses respect for her when she accepts Mr. Collins' offer of marriage.
Lady Catherine De Bourgh - Darcy's widowed aunt, mistress of Rosings Park in Kent and Mr. Collins' patroness. She is arrogant about her social rank, but takes a controlling interest in the personal affairs of those beneath her, particularly the Collinses. She intends Darcy to marry her daughter, Anne.
Anne De Bourgh- Said to be the daughter of Lady Catherine De Bourgh, Anne is portrayed as fragile and poorly, yet in rather a good disposition, due to the wealth she is expected to accumulate upon an arranged marriage to Fitzwilliam Darcy. All does not go to Lady Catherine's plans.
Georgiana Darcy - Darcy's younger sister and only sibling, age sixteen; she is also the ward (jointly held) of Darcy and Colonel Fitzwilliam, her cousin. She is very accomplished, especially at the piano. Wickham faults her as being very proud, but her later appearance in the story discloses she is sweet-tempered and shy.
Colonel Fitzwilliam - Another of Lady Catherine's nephews. He and Darcy are joint guardians of Georgiana. He befriends Elizabeth while she is in Kent. A charming and kind young man, he is the younger son of an Earl; he circumspectly tells Elizabeth that he must marry prudently.
Elizabeth Bennet - main female protagonist. The reader sees the unfolding plot and the other characters mostly from her viewpoint. The second of the Bennet daughters at twenty years old, she is portrayed as intelligent, lively, (somewhat) attractive and witty, with her faults being a tendency to judge on first impressions and perhaps being a little selective of the evidence she uses to base her judgments upon. As the plot begins, her closest relationships are with her father, her sister Jane, her aunt Mrs. Gardiner and her neighbour Charlotte Lucas. Because of his ingratiating manner, Elizabeth believes the words of Mr. Wickham over the terse but honorable Mr. Darcy.
Mr. Fitzwilliam Darcy - main male protagonist. More than twenty-six years old, unmarried, the wealthy owner of a beautiful, fictional estate in Pemberley. Portrayed as handsome (far more so than Elizabeth) and intelligent, but not convivial. His concern with moral rectitude and decorum is easily confused with an excessive concern with social status. He makes a poor impression on strangers, such as the people of Meryton, but is valued by those who know him well. Initial close relationships are with his friend Charles Bingley, who has rented an estate in Hertfordshire, near Meryton.
Mr. Bennet - Has a wife and five daughters. Portrayed as a bookish and intelligent man somewhat withdrawn from society who dislikes the frivolity of his wife and three younger daughters, but offers nothing but mockery by way of correction. He is closest to his older daughters, but especially Elizabeth.
Mrs. Bennet - Wife of Mr. Bennet and mother of Elizabeth and her sisters. Her main objective in life is to find (wealthy) husbands for her five daughters, but she lacks the subtlety to execute her goals. She is portrayed as frivolous, excitable and narrow-minded. She is susceptible to attacks of tremors and palpitations, and her public manners are embarrassing to her eldest daughters. Her favourite daughter is the youngest, Lydia.
Jane Bennet - The eldest Bennet sister. Twenty-two years old when the novel begins, she is considered the most beautiful young lady in the neighbourhood. Her character is contrasted with Elizabeth's as sweeter, shyer and equally sensible but not as clever; her most notable trait is a desire to see only good in others. Jane is closest to Elizabeth.
Mary Bennet - The middle Bennet sister, aged around eighteen. The only plain one of the five, she strives to be the most accomplished. She spends most of her time reading and studying, but without understanding. Of the sisters, she thought most highly of Mr. Collins.
Catherine (Kitty) Bennet - The fourth Bennet sister, aged seventeen. Portrayed as a less headstrong but equally frivolous shadow of Lydia.
Lydia Bennet - The youngest Bennet sister, aged fifteen. She is repeatedly described as frivolous and headstrong. Her main activity in life is socializing, especially flirting with the military officers stationed in the nearby town of Meryton. She dominates her older sister Kitty and is supported in the family by her mother.
Charles Bingley - Has just rented the Netherfield estate near Longbourn when the novel opens. Twenty-two years old at the start of the novel, handsome, good-natured and wealthy, he is contrasted with his friend Mr. Darcy as being less intelligent but kinder and more charming (and hence more popular in Meryton). He lacks resolve and is easily influenced by others.
Caroline Bingley - Unmarried sister of Charles Bingley, who accompanies him to Netherfield to keep house for him. Accustomed to fashionable society in London and looks down on Meryton people. She is jealous of Darcy's regard for Elizabeth. Closely associated with Darcy, her sister, Mrs. Hurst, and her brother, Charles.
George Wickham - A militia regiment lieutenant touring Meryton early in the novel. He was also the son of Darcy's father's steward. Charming and handsome, he makes a good impression in Meryton society, and his reports that Darcy has cheated him out of a rightful inheritance serve to damage Darcy's reputation there. He is later revealed to be financially irresponsible and morally bankrupt with a tendency to believe the stories he spins.
William Collins - A cousin of Mr. Bennet, and the entailed heir of Longbourn. At twenty-five years old, has recently obtained a clerical living on the estate of Lady Catherine De Bourgh in Kent. Travels to Hertfordshire intending to look for a wife among his cousin's daughters. They find him pompous, dull and sycophantic.
Charlotte Lucas - The clever and astute daughter of the Bennets' neighbours, Sir William and Lady Lucas. Still unmarried at the age of twenty-seven, she engineers her marriage to Mr. Collins. She is Elizabeth's best friend until Elizabeth loses respect for her when she accepts Mr. Collins' offer of marriage.
Lady Catherine De Bourgh - Darcy's widowed aunt, mistress of Rosings Park in Kent and Mr. Collins' patroness. She is arrogant about her social rank, but takes a controlling interest in the personal affairs of those beneath her, particularly the Collinses. She intends Darcy to marry her daughter, Anne.
Anne De Bourgh- Said to be the daughter of Lady Catherine De Bourgh, Anne is portrayed as fragile and poorly, yet in rather a good disposition, due to the wealth she is expected to accumulate upon an arranged marriage to Fitzwilliam Darcy. All does not go to Lady Catherine's plans.
Georgiana Darcy - Darcy's younger sister and only sibling, age sixteen; she is also the ward (jointly held) of Darcy and Colonel Fitzwilliam, her cousin. She is very accomplished, especially at the piano. Wickham faults her as being very proud, but her later appearance in the story discloses she is sweet-tempered and shy.
Colonel Fitzwilliam - Another of Lady Catherine's nephews. He and Darcy are joint guardians of Georgiana. He befriends Elizabeth while she is in Kent. A charming and kind young man, he is the younger son of an Earl; he circumspectly tells Elizabeth that he must marry prudently.
Jane Austen's Pride and Prejudice
Plot summary
The news that a wealthy young gentleman named Charles Bingley has rented the manor of Netherfield Park causes a great stir in the nearby village of Longbourn, and especially in the Bennet household. The Bennets have five unmarried daughters – from oldest to youngest, Jane, Elizabeth, Mary, Kitty, and Lydia – and Mrs. Bennet is desperate to see them all married. After Mr. Bennet pays a social visit to Mr. Bingley, the Bennets attend a ball at which Mr. Bingley is present. He is taken with Jane and spends much of the evening dancing with her. His close friend, Mr. Darcy, is less pleased with the evening and haughtily refuses to dance with Elizabeth, which makes everyone view him as arrogant and obnoxious.
At social functions over subsequent weeks, however, Mr. Darcy finds himself increasingly attracted to Elizabeth's charm and intelligence. Jane's friendship with Mr. Bingley also continues to burgeon, and Jane pays a visit to the Bingley mansion. On her journey to the house she is caught in a downpour and catches ill, forcing her to stay at Netherfield for several days. In order to tend to Jane, Elizabeth hikes through muddy fields and arrives with a spattered dress, much to the disdain of the snobbish Miss Bingley, Charles Bingley's sister. Miss Bingley's spite only increases when she notices that Darcy, whom she is pursuing, pays quite a bit of attention to Elizabeth.
When Elizabeth and Jane return home, they find that a Mr. Collins will soon be visiting their household. Mr. Collins is a young clergyman who stands to inherit Mr. Bennet's property, which has been “entailed,” meaning that it can only be passed down to male heirs. Mr. Collins is a pompous fool, though he is quite enthralled by the Bennet girls. This is due in part to his wanting to smooth over the issue of the entail. Mrs. Bennet was very angry about the estate's future owner, but she soon changes her mind about him. Shortly after his arrival, he makes a proposal of marriage to Elizabeth. She turns him down, wounding his pride. Mrs. Bennet is furious that Elizabeth turned down a marriage proposal. Meanwhile, the Bennet girls have become friendly with militia officers stationed in a nearby town. Among them is Wickham, a handsome young soldier who is friendly toward Elizabeth and tells her how Darcy cruelly cheated him out of an inheritance.
At the beginning of winter, the Bingleys and Darcy leave Netherfield and return to London, much to Jane's dismay. A further shock arrives with the news that Mr. Collins has become engaged to Charlotte Lucas, Elizabeth's best friend and the poor daughter of a local knight. Charlotte explains to Elizabeth that she is getting older and needs the match for financial reasons. Charlotte and Mr. Collins get married and Elizabeth promises to visit them at their new home. As winter progresses, Jane visits the city with her aunt and uncle, the Gardiners, (hoping also that she might see Mr. Bingley). However, Miss Bingley visits her and behaves rudely, while Mr. Bingley fails to visit her at all. The marriage prospects for the Bennet girls appear bleak.
That spring, Elizabeth visits Charlotte, who now lives near the home of Mr. Collins's patron, Lady Catherine de Bourgh, who is also Darcy's aunt. Darcy calls on Lady Catherine and encounters Elizabeth, whose presence leads him to make a number of visits to the Collins's home, where she is staying. One day, he makes a shocking proposal of marriage, which Elizabeth quickly refuses. She tells Darcy that she considers him arrogant and unpleasant, then scolds him for steering Bingley away from Jane and disinheriting Wickham. Darcy leaves her but shortly thereafter delivers a letter to her. In this letter, he admits that he urged Bingley to distance himself from Jane, but claims he did so only because he thought their romance was not serious, and that Bingley did not know that Jane had been in London. As for Wickham, he informs Elizabeth that the young officer is a liar and that the real cause of their disagreement was Wickham's attempt to elope with his young sister, Georgiana Darcy.
This letter causes Elizabeth to reevaluate her feelings about Darcy. She returns home and acts coldly toward Wickham. The militia is leaving town, which makes the younger, rather man-crazy Bennet girls distraught. Lydia manages to obtain permission from her father to spend the summer with an old colonel, whose wife is a friend of Lydia's, in Brighton, where Wickham's regiment will be stationed. With the arrival of June, Elizabeth goes on another journey, this time with the Gardiners. The trip takes her to the North and eventually to the neighborhood of Pemberley, Darcy's estate. She visits Pemberley, after making sure that Darcy is away, and delights in the building and grounds, while hearing from Darcy's servants that he is a wonderful, generous master. Suddenly, Darcy arrives and behaves cordially toward her. Making no mention of his proposal, he entertains the Gardiners and invites Elizabeth to meet his sister.
Shortly thereafter, however, a letter arrives from home, telling Elizabeth that Lydia has eloped with Wickham and that the couple is nowhere to be found, which suggests that they may be living together out of wedlock. Fearful of the disgrace such a situation would bring on her entire family, Elizabeth hastens home. Mr. Gardiner and Mr. Bennet go off to search for Lydia in London, but Mr. Bennet eventually returns home empty-handed. Just when all hope seems lost, a letter comes from Mr. Gardiner saying that the couple has been found and that Wickham has agreed to marry Lydia in exchange for an annual income. The Bennets are convinced that Mr. Gardiner has paid off Wickham, but Elizabeth learns that the source of the money, and of her family's salvation, was none other than Darcy.
Now married, Wickham and Lydia return to Longbourn briefly, where Mr. Bennet treats them coldly. They then depart for Wickham's new assignment in the North of England. Shortly thereafter, Bingley returns to Netherfield and resumes his courtship of Jane. Darcy goes to stay with him and pays visits to the Bennets but makes no mention of his desire to marry Elizabeth. Bingley, on the other hand, presses his suit and proposes to Jane, to the delight of everyone but Bingley's haughty sister. Elizabeth suspects that these joyous happenings might be the work of Darcy. Her opinion of Darcy has changed drastically over time. While the family celebrates, Lady Catherine de Bourgh pays a visit to Longbourn. She corners Elizabeth and says that she has heard that Darcy, her nephew, is planning to marry her. Since she considers a Bennet an unsuitable match for a Darcy, Lady Catherine demands that Elizabeth promise to refuse him. Elizabeth spiritedly refuses, saying she is not engaged to Darcy, but she will not promise anything against her own happiness.
She becomes very frustrated, knowing Lady Catherine would speak to Darcy about her conversation with Elizabeth, and wants to know whether Darcy still loves her, as he did when he proposed to her. Elizabeth decides that since Darcy was due to visit in a few days, if he excused himself from coming, she would assume that he no longer holds affectionate feelings towards her. Darcy, however, does visit. As Kitty leaves their company, Elizabeth and Darcy find themselves walking alone. Here Elizabeth can not help but thank Darcy for his help in Lydia's situation. Darcy, surprised, says he did it in his love for her, embarrassing Elizabeth. He then informs Elizabeth that Lady Catherine had in fact been to visit him in the hope of turning him against Elizabeth. However, once told that Elizabeth refused to promise not to marry Darcy, he becomes hopeful and proposes to her again. Elizabeth is overwhelmed and immediately accepts. The lovers are soon married.
The news that a wealthy young gentleman named Charles Bingley has rented the manor of Netherfield Park causes a great stir in the nearby village of Longbourn, and especially in the Bennet household. The Bennets have five unmarried daughters – from oldest to youngest, Jane, Elizabeth, Mary, Kitty, and Lydia – and Mrs. Bennet is desperate to see them all married. After Mr. Bennet pays a social visit to Mr. Bingley, the Bennets attend a ball at which Mr. Bingley is present. He is taken with Jane and spends much of the evening dancing with her. His close friend, Mr. Darcy, is less pleased with the evening and haughtily refuses to dance with Elizabeth, which makes everyone view him as arrogant and obnoxious.
At social functions over subsequent weeks, however, Mr. Darcy finds himself increasingly attracted to Elizabeth's charm and intelligence. Jane's friendship with Mr. Bingley also continues to burgeon, and Jane pays a visit to the Bingley mansion. On her journey to the house she is caught in a downpour and catches ill, forcing her to stay at Netherfield for several days. In order to tend to Jane, Elizabeth hikes through muddy fields and arrives with a spattered dress, much to the disdain of the snobbish Miss Bingley, Charles Bingley's sister. Miss Bingley's spite only increases when she notices that Darcy, whom she is pursuing, pays quite a bit of attention to Elizabeth.
When Elizabeth and Jane return home, they find that a Mr. Collins will soon be visiting their household. Mr. Collins is a young clergyman who stands to inherit Mr. Bennet's property, which has been “entailed,” meaning that it can only be passed down to male heirs. Mr. Collins is a pompous fool, though he is quite enthralled by the Bennet girls. This is due in part to his wanting to smooth over the issue of the entail. Mrs. Bennet was very angry about the estate's future owner, but she soon changes her mind about him. Shortly after his arrival, he makes a proposal of marriage to Elizabeth. She turns him down, wounding his pride. Mrs. Bennet is furious that Elizabeth turned down a marriage proposal. Meanwhile, the Bennet girls have become friendly with militia officers stationed in a nearby town. Among them is Wickham, a handsome young soldier who is friendly toward Elizabeth and tells her how Darcy cruelly cheated him out of an inheritance.
At the beginning of winter, the Bingleys and Darcy leave Netherfield and return to London, much to Jane's dismay. A further shock arrives with the news that Mr. Collins has become engaged to Charlotte Lucas, Elizabeth's best friend and the poor daughter of a local knight. Charlotte explains to Elizabeth that she is getting older and needs the match for financial reasons. Charlotte and Mr. Collins get married and Elizabeth promises to visit them at their new home. As winter progresses, Jane visits the city with her aunt and uncle, the Gardiners, (hoping also that she might see Mr. Bingley). However, Miss Bingley visits her and behaves rudely, while Mr. Bingley fails to visit her at all. The marriage prospects for the Bennet girls appear bleak.
That spring, Elizabeth visits Charlotte, who now lives near the home of Mr. Collins's patron, Lady Catherine de Bourgh, who is also Darcy's aunt. Darcy calls on Lady Catherine and encounters Elizabeth, whose presence leads him to make a number of visits to the Collins's home, where she is staying. One day, he makes a shocking proposal of marriage, which Elizabeth quickly refuses. She tells Darcy that she considers him arrogant and unpleasant, then scolds him for steering Bingley away from Jane and disinheriting Wickham. Darcy leaves her but shortly thereafter delivers a letter to her. In this letter, he admits that he urged Bingley to distance himself from Jane, but claims he did so only because he thought their romance was not serious, and that Bingley did not know that Jane had been in London. As for Wickham, he informs Elizabeth that the young officer is a liar and that the real cause of their disagreement was Wickham's attempt to elope with his young sister, Georgiana Darcy.
This letter causes Elizabeth to reevaluate her feelings about Darcy. She returns home and acts coldly toward Wickham. The militia is leaving town, which makes the younger, rather man-crazy Bennet girls distraught. Lydia manages to obtain permission from her father to spend the summer with an old colonel, whose wife is a friend of Lydia's, in Brighton, where Wickham's regiment will be stationed. With the arrival of June, Elizabeth goes on another journey, this time with the Gardiners. The trip takes her to the North and eventually to the neighborhood of Pemberley, Darcy's estate. She visits Pemberley, after making sure that Darcy is away, and delights in the building and grounds, while hearing from Darcy's servants that he is a wonderful, generous master. Suddenly, Darcy arrives and behaves cordially toward her. Making no mention of his proposal, he entertains the Gardiners and invites Elizabeth to meet his sister.
Shortly thereafter, however, a letter arrives from home, telling Elizabeth that Lydia has eloped with Wickham and that the couple is nowhere to be found, which suggests that they may be living together out of wedlock. Fearful of the disgrace such a situation would bring on her entire family, Elizabeth hastens home. Mr. Gardiner and Mr. Bennet go off to search for Lydia in London, but Mr. Bennet eventually returns home empty-handed. Just when all hope seems lost, a letter comes from Mr. Gardiner saying that the couple has been found and that Wickham has agreed to marry Lydia in exchange for an annual income. The Bennets are convinced that Mr. Gardiner has paid off Wickham, but Elizabeth learns that the source of the money, and of her family's salvation, was none other than Darcy.
Now married, Wickham and Lydia return to Longbourn briefly, where Mr. Bennet treats them coldly. They then depart for Wickham's new assignment in the North of England. Shortly thereafter, Bingley returns to Netherfield and resumes his courtship of Jane. Darcy goes to stay with him and pays visits to the Bennets but makes no mention of his desire to marry Elizabeth. Bingley, on the other hand, presses his suit and proposes to Jane, to the delight of everyone but Bingley's haughty sister. Elizabeth suspects that these joyous happenings might be the work of Darcy. Her opinion of Darcy has changed drastically over time. While the family celebrates, Lady Catherine de Bourgh pays a visit to Longbourn. She corners Elizabeth and says that she has heard that Darcy, her nephew, is planning to marry her. Since she considers a Bennet an unsuitable match for a Darcy, Lady Catherine demands that Elizabeth promise to refuse him. Elizabeth spiritedly refuses, saying she is not engaged to Darcy, but she will not promise anything against her own happiness.
She becomes very frustrated, knowing Lady Catherine would speak to Darcy about her conversation with Elizabeth, and wants to know whether Darcy still loves her, as he did when he proposed to her. Elizabeth decides that since Darcy was due to visit in a few days, if he excused himself from coming, she would assume that he no longer holds affectionate feelings towards her. Darcy, however, does visit. As Kitty leaves their company, Elizabeth and Darcy find themselves walking alone. Here Elizabeth can not help but thank Darcy for his help in Lydia's situation. Darcy, surprised, says he did it in his love for her, embarrassing Elizabeth. He then informs Elizabeth that Lady Catherine had in fact been to visit him in the hope of turning him against Elizabeth. However, once told that Elizabeth refused to promise not to marry Darcy, he becomes hopeful and proposes to her again. Elizabeth is overwhelmed and immediately accepts. The lovers are soon married.
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