Showing posts with label John Milton's Paradise Lost:. Show all posts
Showing posts with label John Milton's Paradise Lost:. Show all posts

John Milton's Paradise Lost:

Character Analysis:
God the Father:

God the Father is the creator of Eden, Heaven, Hell, and of each of the main characters in the poem. He is an all-powerful being who cannot be overthrown by even the one-third of the angels that Satan incites against Him. The poem portrays God’s process of creation in the way that Milton believed it was done, that God created Heaven, Earth, Hell, and all the creatures that inhabit these separate planes from part of himself, not out of nothing. Thus according to Milton, what gives God his ultimate authority is the fact that he is the "author" of creation. Satan tries to justify his rebellion by denying this aspect of God and claiming self-creation, but he admits to himself that this is not the case, and that God "deserved no such return from me, whom he created what I was”.

John Milton's Paradise Lost:

Character Analysis:
The Son of God:

The Son of God in Paradise Lost is Christ, though he is never named explicitly, since He has not yet entered human form. After the Father explains to him how Adam and Eve will fall, and how the rest of humanity will be doomed to follow them in their cursed footsteps, the Son heroically proclaims that he will take the punishment for humanity. The Son gives hope to the poem because although Satan conquers humanity by successfully tempting Adam and Eve, the victory is temporary because the Son will save the human race. Interestingly enough, the Son shows a major break with orthodox religious thought on Milton’s part; the accepted belief at the time was that the Trinity were all part of the one Godhead, and thus all created at the same time, and yet Milton portrays the Son as being created after the Father.

John Milton's Paradise Lost:

Character Analysis:
Eve:

Eve is the second human created, taken from one of Adam’s ribs and formed into a female form of Adam. Positively, she is the model of a good subject and wife. She consents to Adam leading her away from her reflection when they first meet, trusting Adam’s authority in their relationship. She is very beautiful, so much so that she is almost a danger to herself and Adam. Her beauty not only obsesses Adam, but also herself. After she is first born, she gazes at her own reflection in a pool of water and is transfixed by her own image. Even after Adam calls out to her she returns to her image. It is not until God tells her to go to Adam that she consents to being led away from the pool. This shows that from the beginning she is in danger of narcissism, much like Satan. She is also the first to come into contact with satanic influence; Satan worms his way into one of her dreams to tempt her. After this incident she seems to develop the independent streak that so perplexes Adam during his conversation with Raphael, wanting to go off by herself to work in the garden. She also develops the Satanic view of wanting to organize the garden, wishing to split up to get more work done, worrying that the garden is "messy" and wishing to impose some kind of order on it, which is Satan’s wish as well. She eventually does give into temptation, being the first to eat of the Tree of Knowledge of Good and Evil, effectively causing the Fall. She is not portrayed in a totally negative manner in the story, however; during her argument with Adam about whether or not they should split up, Adam says they should stay together in order to avoid temptation and implying that even to be tempted would be dishonourable to them, which is a flawed argument. Eve responds by taking a heroic stance, saying that if they would give into temptation that easily that their virtue must not have been very strong to begin with. This is not the only time Eve shows a heroic side either, despite her failings. After the Fall, Adam begins to blame her for everything that has gone wrong, acting as if she alone is the cause despite the fact that he willingly chose to sin also. Eve makes her stand here by humbly taking all the verbal abuse that Adam gives to her, instead of arguing and causing a further rift between them. By taking everything upon herself she is portrayed as a Christ-figure, accepting fault that is not hers and bearing it for the sake of the future of humanity.

John Milton's Paradise Lost:,

Character analysis:
Satan:

Satan is the first major character introduced in the poem. He is introduced in Hell after a failed rebellion to take control of Heaven from God. Satan’s desire to rebel against his creator stems from his unwillingness to accept the fact that he is a created being and that he is not self sufficient, which roots in turn from his extreme Pride. One of the ways he tries to justify his rebellion against God is by claiming that he and the angels are self-created, declaring that the angels are "self-begot, self-raised" thereby eliminating God’s authority over them as their creator. Satan’s views are grossly distorted, however.

Satan is narcissistic to the point of being delusional, as shown by his encounter with Sin and Death. Although they are introduced as if they are separate entities from Satan, Sin and Death can both be read as delusions of Satan’s mind. Sin describes herself as sprouting out of Satan’s mind at the time he conceived of his plot to overthrow God [compare with the New Testament book of James, Chapter 1, verse 15], which perhaps could be taken for the fact that she is only a part of Satan, specifically his sinful scheme to overthrow God that he is projecting into the world. She is described as originally having the same features as Satan, which shows the perversion of his narcissism, because Satan engages Sin in incestuous intercourse. Satan is narcissistic to the point of being aroused by his own image, and from his incest with his "daughter" Sin, Death is born. Death too, however, may be a delusion of Satan’s mind, having no substance or form, no real power.

This reflects Milton’s Christian theology, because Christianity sees death as having no real power also. Satan’s delusion is also shown when he leaves Hell. He goes up to the gates, which fly quickly open before him. Satan sets out to portray God as a tyrant, yet here Milton shows us that Satan is not even locked in Hell. Milton portrays Hell also as a state of Satan’s mind in the opening of Book 4, talking of how Satan has "Hell within him; for within him Hell/ He brings…". Milton shows us that Satan is creating his own internal Hell by his delusions and narcissism. The fact that Satan is such a driving force within the poem has been the subject of a large amount of scholarly debate, with positions ranging anywhere from views such as that of William Blake who stated that Milton "wrote in fetters when wrote of Angels and God, and at liberty when of Devils and Hell, is because he was a true Poet and of the Devil’s party without knowing it" to the critic William H. Marshall’s interpretation that the poem is in fact a Christian moral tale, but that Milton fails to portray his original intent because the reader’s emotional reaction to the story must be "subordinated to [his] intellectual response to the explicit assertion in the final books of the Paradox of the Fortunate Fall."

John Milton's Paradise Lost:

Character Analysis:
Adam:
Adam is the first human in Eden created by God. He is the more intellectual of the two, with Eve being more rooted in experience. Positively, Adam is a model of a good ruler, gently leading Eve during their first encounter away from her reflection, using force but not excessively. Although he and Eve are not equal in the story, Adam is not an oppressive ruler. He and Eve have a mutually dependent relationship. This illustrates Milton’s views on the relationship between ruler and subject as well as husband and wife.

Negatively, he like Satan shares the problem of lack of self-knowledge, but unlike Satan who is totally self-absorbed and narcissistic, Adam’s problem stems from the fact that he seems to be in danger of losing sight of himself. The cause of his loss of self is the beauty of Eve, which he complains about during his discourse with Raphael, saying that she is "Too much of Ornament". He talks anxiously of how he feels like he is becoming dependent on Eve, who conversely seems to be self-sufficient and naturally independent.

Adam is distraught by this because it would seem to him that she should be the one dependent because he was created first and she was made from a part of him, and yet as it stands he is becoming obsessed with Eve almost to the point of idolizing her. There is also an element of heresy to Adam even before the Fall. He wishes to avoid confrontation with Satan completely, even to the fact of being cowardly about it, denying the idea of the "felix culpa", that the Fall might not be a bad thing, perhaps part of God’s greater plan.

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